Children’s cinema in Iran has traversed a remarkable path, evolving from early experimental setbacks to global acclaim. While the 1980s began with significant trial and error, Amir Naderi’s “The Runner” (Davandeh) emerged as a cinematic breakthrough, drawing the eyes of international critics to post-revolutionary Iranian art. In this Seven Skies exclusive report, we analyze this historic turning point.
Early Steps in Animation: The “Abraham in the Garden” Setback
In the early 1980s, attempts were made to merge education and entertainment through animation. One of the most notable (and challenging) experiences of that era was “Abraham in the Garden”, directed by Iraj Emami.
- Box Office Fate: Released during the Iranian New Year, the film lasted only one day in theaters.
- Commercial Impact: Selling less than 10,000 Rials, it became a clear sign that the content failed to resonate with young audiences at the time.
Despite this, the film remains a significant historical footnote as one of the first major attempts at feature-length animation for children in Iranian cinema history.
The Rise of “The Runner”: Transforming a Genre
Until 1984, most films were made “about” children rather than “for” them. However, with Amir Naderi and the support of IIDCYA (Kanoon), everything changed. “The Runner” didn’t just reshape children’s cinema; it became the first global ambassador for modern Iranian filmmaking.
International Accolades and Global Recognition
Using a universal visual language, “The Runner” transcended borders and secured prestigious awards:
- Grand Prix at the Nantes Three Continents Festival (1985)
- Special Jury Prize at the Singapore International Film Festival (1985)
The Story of “Amiro”: A Symbol of Resilience
The film follows the journey of a lonely teenager named “Amiro” who dreams of freedom and traveling across the Persian Gulf. To survive in the coastal city of Abadan, he takes on grueling tasks:
- Collecting empty bottles and cans from trash.
- Shining shoes for foreigners.
- Selling ice water to earn a meager living.
The film culminates in a powerful scene where Amiro fights for his education in night classes, leading to a legendary final sprint where he proves his indomitable will to himself and the world.
Film Credits & Production
Widely regarded by critics as one of the most influential films of the last quarter-century, “The Runner” features a collaboration of Iranian cinema giants:
- Writers: Amir Naderi and Behrouz Gharibpour
